Tags: Key Concepts
— A —
action
activity
Anthroposophy
anticipation
archetype
atmosphere
audience
author
— B —
body
— C —
center
characterization
cliché
climax
clown
color
comedy
commedia dell'arte
composition
concentration
contact
contrast
costume
creativity
— D —
designer
director
drama
dynamics
— E —
ensemble feeling
Eurhythmy
exercises
— F —
fairy tale
feeling of beauty
feeling of ease
feeling of form
feeling of the whole
feeling of truth
fire
flowing
flying
flying over the play
form
freedom
— G —
gesture
— H —
humor
— I —
idea of the play
ideal body
ideal center
image
imagination
improvisation
incorporation
individuality
ingenuity
inspiration
intellect
intuition
— J —
justification
— L —
life power
light
lighting
— M —
metamorphosis
method [Chekhov]
method [Stanislavsky]
mise en scène
molding
movement
— N —
naturalism
— O —
objective
open heart
originality
— P —
pedagogy
performance
preparation
presence
psychological gesture
psychology
— Q —
qualities of movement
— R —
radiating
rhythm
rhythmical gesture
— S —
scenic time
setting
significance
soul
space
speech
style
sustaining
— T —
talent
technique
tempo
the pause
theatre of the future
threshold
tragedy
transitions
— U —
urgency
— V —
voice