Items
-
Chekhov Theatre Studio, page 34 and plate 7 caption -
Chekhov Theatre Studio, pages 32-33 -
Chekhov Theatre Studio, plate 6 and page 31 MICHAEL CHEKHOV -
Chekhov Theatre Studio, showing plate 6 caption -
Chekhov Theatre Studio, showing page 30 -
Chekhov Theatre Studio, pages 28-29 -
Chekhov Theatre Studio, showing page 27 -
Chekhov Theatre Studio, showing plate 5 VIEW OF COURTYARD -
Chekhov Theatre Studio, page 26 and plate 5 caption -
Chekhov Theatre Studio, pages 24-25 -
Chekhov Theatre Studio, pages 22-23 -
Chekhov Theatre Studio, pages 20-21 -
Chekhov Theatre Studio, plate 4 and page 19 INTERIOR OF THE DARTINGTON THEATRE -
Chekhov Theatre Studio, showing plate 4 -
Chekhov Theatre Studio, showing page 18 -
Chekhov Theatre Studio, pates 16-17 -
Chekhov Theatre Studio, pages 14-15 -
Chekhov Theatre Studio, pages 12-13 -
Chekhov Theatre Studio, showing page 11 -
Chekhov Theatre Studio, showing plate 3 THE OPEN-AIR THEATRE -
Chekhov Theatre Studio, page 10 and plate 3 caption -
Chekhov Theatre Studio, pages 8-9 -
Chekhov Theatre Studio, pages 6-7 -
Chekhov Theatre Studio, pages 4-5 -
Chekhov Theatre Studio, plate 2 and page 3 THE BANQUETING HALL -
Chekhov Theatre Studio, page 2 and plate 2 caption -
Chekhov Theatre Studio, plate 1 and page 1 ENTRANCE TO THEATRE AS SEEN FROM CLOCK TOWER -
Chekhov Theatre Studio, table of contents verso and plate 1 caption -
Chekhov Theatre Studio, title page verso and table of contents -
Chekhov Theatre Studio, title page -
Chekhov Theatre Studio, half title -
Chekhov Theatre Studio, front cover -
The Pencil: Memories of Dartington Hall and the English Origin of the Michael Chekhov Acting Method -
April 16, 1942: Lecture at Hunter College, New York: The actor in the theatre of today -
April 12, 1942: Lecture at labor stage, New York: The present state of the theatre -- how to help it -
March 26, 1942: Lecture to members of "Actors' Cue" -
February 17, 1942: Second open lecture to actors held at "Actors Service," New York -
January 29, 1942: Open lecture to actors held at "Actors Service," New York -
December 29, 1941: Michael Chekhov's fourteenth class for professional actors: Continuous acting -
December 19, 1941: Michael Chekhov's thirteenth class for professional actors: The imagination -
December 15, 1941: Michael Chekhov's twelfth class for professional actors: The future theatre -
December 12, 1941: Michael Chekhov's eleventh class for professional actors: Psychological gesture -
December 8, 1941: Michael Chekhov's tenth class for professional actors: Criticism of scene by Peter Frye -
December 5, 1941: Michael Chekhov's ninth class for professional actors: The psychological gesture -
December 1, 1941: Michael Chekhov's eighth class for professional actors: The role of the director -
November 28, 1941: Michael Chekhov's seventh class for professional actors: Feeling of the whole -
November 24, 1941: Michael Chekhov's sixth class for professional actors: The creative process -- The inspiration -- The method -
November 21, 1941: Michael Chekhov's fifth class for professional actors: Exercise -- Repetition is the growing power -
November 17, 1941: Michael Chekhov's fourth class for professional actors: Theory and practice -
November 14, 1941: Michael Chekhov's third class for professional actors: How shall we develop our emotions and our bodies?